How the World’s Large and Multi-National Corporations Advanced
Coalition Interests and Objectives – The Geo-Politicization
of Television Commercials:
Part VI
© 2009 Brad Kempo B.A. LL.B.
Barrister & Solicitor
Coalition partners in the large and multi-national category of membership aren’t stopping to demonstrate their commitment to democracy, rule of law, human rights, common decency and free market capitalism by geo-politicizing their television commercials.* They’ve seen the original intel, they’ve kept informed by accessing the coalition website and their own investigations within their sphere of influence is telling them that failing to address the Chinada threat is the worst possible position to take on the issue.
* Part I, Part II, Part III, Part IV, Part V
Turning television commercials into geo-political platforms has now been embraced by the two families at the pinnacle of America’s political structure. At the apex of the one remaining superpower in the world is First Lady Michelle Obama and the Vice-President’s wife, Dr. Jill Biden. They produced a public service announcement asking citizens to help members of the armed forces. The former choose Canadian prison certainty and the latter justice.
During the many clips of military personnel and photographs of charitable events and circumstances the scripted line “give a hand” is timed to a picture of a sailor holding up his infant child. The color scheme is prison certainty and in addition to the communiqué that lengthy and life incarceration is inevitable there’s a child protection message, which underscores to what lengths the partnership will go to protect today’s vulnerable.
The U.S. military’s top echelon of policy and decision-making proved to be fully committed in late September 2005 when it designated an Iraq campaign ‘Operation Iron Fist’. This was an international signpost which announced the launch of what’s now been an almost four year initiative to fix Canada’s dysfunctionalities, terminate China’s de facto governance and evict its unlawfully present military assets. There are many different ways the Joint Chiefs of Staff and Secretary of Defense contributed. They, for example, elevated the Custodian Chief Executive on May 25, 2006 to the position of Deputy Secretary of Defense. On December 20, 2007 he became a three star, or Lieutenant, General. And on March 20, 2008 they awarded him the highest military accolade, the Medal of Honor. They also consented to news media, including CBS and NBC, and ’60 Minutes’ to geo-politicize segments involving military personnel. In the autumn of 2009 they ventured into new geo-territory: geo-politicizing an Air Force television commercial.
The subject is the department's "Space Command" - tracking orbiting satellites. The first scene is two pieces of space debris striking each other, creating more menaces. The third officer, who is monitoring trajectory and speed, is scripted to state "twenty kilometers and closing" – an enslaving human experimentation reference.
Just after another officer states "Collision averted sir", there's a consol monitor with the number "72", a compensation ratifier. Just below it is computer screen with five icons – a second compensation ratifier. It follows a caption that reads "It's not science fiction", which is what stealth cognition technologies is.
In an early 2008 commercial a family is sitting around the television set watching sports. Suddenly the picture signal is lost. A quantum-attired child sitting up close is exasperated. On the couch is mom and dad, the former in yellow, the latter in red = China. The daughter dashes onto the roof to set up a satellite dish; and restores the picture. Everyone in the living-room cheers. As a family member erupts with joy the audience sees a compensation ratifying five-item picture on the wall.
Mariah Carey’s been an exceptionally prolific coalition partner. She teamed up with one of America’s largest corporations, AT&T, for an October ’09 filmed ad. And the two teamed-up to produce a ‘behind the scenes’ production. One of the specific motivators was what was documented in Employing Stealth Cognition Technologies and Threatening Gruesome Surreptitious Assassination Without Culpability to Celebrate China’s 60th Communist Anniversary. That’s why the Triple “E” product is so Kidmanesque.
The ad begins with a hotel manager speaking to an employee, indicating that Mariah's plane just landed. Behind the prison certainty - justice attired clerk are elevators – yellow trim and a guest attired in Canadian colors = Chinada and the ‘elevator incident’.
A close-up of the screen to his AT&T hand-held device has five items: (i) dog bed; (ii) 24 Mataysian orchids; (iii) aromatherapy candles; (iv) five goose down pillows; (v) silver candlesticks.
The fourth item contains a reference to Canada geese and a compensation ratifier to articulate that Canada’s federal, provincial and municipal governments and the corporate elite are liable to pay the Custodian Chief damages.
The employee is then sent to pick the items up in time for the superstar's arrival. In the next scene he’s rushing down a department store isle on his cell phone ordering the orchids. One of three bags he’s carrying is the color of justice. The other two, red and white, constitute Canada.
Stop number three is the dog store; whicih is the link between coalition action involving lethal military force and capital punishment and Chinada principals.
When in Mariah's suite, he's observed arranging bottles of cosmetics. There are three there already, and he adds two more to total five.
Mariah makes her entrance, with a compliment: "Nice job". When he turns around, she's holding a condemnation colored flower; and one in the floral arrangement next to her stands out because it's the color of justice. Behind her is her dog in the arms of an assistant. She blows him a kiss.
The last scene is filmed in the hallway. The clerk is bragging on the phone to his friend that he "just made out with Mariah Carey". Then he Kung-Fu style kicks the elevator button; constituting a combination isolation-deprivation initiative and elevator incident.
The first geo-politicized portion of the ‘behind the scenes’ production is Mariah being filmed just after being discovered by the clerk. She's not holding a pink flower; rather a purple one - justice.
The interview of her includes standing beside a counter of flower arrangements. The one immediately to her left is red and yellow = China. Behind her is a row of candles. Not until the next clip of her interview does the audience see there are five of them – an isolation-deprivation initiative linked to damages ratification.
The states about the clerk "he manages to do everything he has to do" and then @ 0:39 executes three Clash of Civilizations Maneuvers. A clip of her executing a Diaz Maneuver is then added.
Mariah gets Kidmanesque with her remarks: “I've been a dog lover since I was little. My mom has like five dogs...”. Here she combines a Dogville reference with another confirmation the Custodian Chief’s entitled to coalition ratified damages for what he suffered and lost.
She effects Maria Maneuvers to "It's exciting right now with [1:18: M.M.] 'Precious' the movie. I just got back from the Toronto Film Festival; and [1:22: M.M.] working on the album”. She both services the Custodian Chief’s international persona and in the context of a reference to one constituent of the Ottawa-Toronto-Montreal-(Beijing) triangle of power and wealth acknowledges she’s constantly producing Triple “E” product, drawing attention to her album cover:
[coalition identifier, Mariah M., dbl-h George W M., dbl-h Eva M.]
She adds: "I think that Twitter is cool because your fans feel closer to you [1:36: Clash of Civ M.]”; articulating that the Chinada threat has created a community of like-minded, tenaciously resolved people who’ve been working synergistically to resolve it as fast as possible.
She adds: "I think that Twitter is cool because your fans feel closer to you [1:36: Clash of Civ M.]”; articulating that the Chinada threat has created a community of trepidatiously like-minded, tenaciously resolved people who’ve been working synergistically to contain and neutralize it as fast as possible.
A new T Mobile ad features comedienne icon Chevy Chase. It begins with a close-up of the product. He activates the hand-held device. The display indicates the number "89" - a China identifier and the number five hundred; which articulates the liability exposure the Chinese government has to the Custodian Chief for what it did to him over a twenty plus year period.
He acts like he's clumsy and drops it. A woman catches it and activates another game program. She holds it up to the camera. It's the color of quantum and the mouth contains 12 teeth; which is another initiative in which the coalition states on the diplomatic record it fully intends to deliver the Custodian Chief’s damages to him.
Dana Harvey is third. He turns the screen into a message board and with his finger writes "Call Me". This is another communiqué from the partnership in which its members look forward to socializing with the Custodian Chief when he’s geographically emancipated.
'Saturday Night Live' cast member Darrel Hammond is then observed after the camera pans out. He’s the fifth in a line of people. He's trying to wrestle the device away from Dana.
'Saturday Night Live' cast member Darrel Hammond is then observed after the camera pans out. He’s the fifth in a line of people. He's trying to wrestle the device away from Dana.
The Travelers Insurance Company produced two ads. In the first actors are scripted to stand under the logo's umbrella in a stadium parking lot. In the second clip a man is holding a little girl. She's attired in prison certainty, justice and quantum, which also generates a child protection themed initiative. The male actor states concomitant with this scene "It's about who's in the passenger seat"; articulating how today's children are on the road Chinada put civilization on but have no ability to steer how the coalition addresses the threat; and are in peril if it persists. Later in life they’ll be taking command of the wheel so it's up to today's adults to finish the job they started so they don’t have to.
The filming moves from parking lot to stadium. An actor speaks to camera as another in the role of a fan immediately behind him jerks her arm forward in an embellished fashion three times; which is another coalition identifier. The choreography mimics the pubescent antics of street soldiers seek to invade privacy and destroy anonymity and articulates how the partnership is determined to rid Canada of those who perpetuate this intellectually feral practice and prevent it from spreading to countries that are targeted for inclusion in Chinada’s sphere of control and influence.
The ad concludes with the representation (and caption) that switching to Travelers can "save an average of $383". The graphic's color scheme is Canadian punishment certainty. The stat was chosen because it symbolically surrounds China with the coalition’s presence and thus articulates how the threat will be suffocated.
The second ad’s setting is a playground, and thus the child protection theme is front-and-center. An actor in the role of father is pushing his child on the swings. The little boy is attired in prison certainty and quantum. The immediately following script is "I want to protect the people I love".
Right after that is another actor by his car. It’s parked adjacent to the playground. He signals his dog to jump in the convertible. Corporate executives thus agree with an almost unanimous partnership that the most severe consequences are justified to achieve stated objectives in order to protect today’s children.
The ad also concludes with the representation (and caption) that switching to Travelers can "save an average of $383". The graphic's color scheme is Canadian punishment certainty.
